WARTBURG COMMUNITY SYMPHONY

2019-20 Season

Waverly, Iowa has proudly supported a semi-professional symphony orchestra for well over a half-century. Founded in 1952, the Wartburg Community Symphony is comprised of Wartburg College students and community and professional musicians. The Symphony performs orchestral favorites but also presents new and innovative music, garnering recognition for its state, national, and world premieres. All concerts are held in Neumann Auditorium on the Wartburg campus and seating is general admission. To purchase individual concert tickets, click on the concert title below.

NO PLACE LIKE HOME 
Saturday, Oct. 12, 8 p.m. 
Local connections are featured in this year’s homecoming concert. Clarinetist Elizabeth Matera, a Quad Cities native and former longtime member of The President’s Own Marine Band, will join the WCSO for Mozart’s sublime Clarinet Concerto. Dvořák’s beloved Symphony No. 9, From the New World, written while he spent a summer living in Iowa, is sure to thrill! 

HOME FOR THE HOLIDAYS 
Sunday, Dec. 15, 3 p.m. 
This family-friendly concert is a great way to continue the holiday spirit after the previous weekend’s Christmas with Wartburg performances. The symphony will partner with the Wartburg Opera Workshop and outstanding soloists to present Gian Carlo Menotti’s classic Christmas mini-opera, Amahl and the Night Visitors, a telling of the beloved story of the Three Kings, inspired by the painting The Adoration of the Magi

HOMEGROWN TALENT
Saturday, Feb. 8, 3 p.m. 
Two incredible classical masterpieces anchor this program: Haydn’s final symphony, known as the London symphony, will pair beautifully with music from his most celebrated pupil, Beethoven. We kick off a yearlong celebration of Beethoven’s 250th birthday with his dramatic and powerful Egmont Overture. Wartburg student competition winners also will be featured. 

HOMERUN FINALE
Saturday, April 4, 7:30 p.m. 
Our season finale promises to knock it out of the park! The opener, Arturo Márquez’s Danzon No. 2, is an outstanding orchestral showpiece that will have your toes tapping. Acclaimed pianist Andrew Staupe will be featured as soloist in the world premiere of Christopher Walczak’s new piano concerto, written for Staupe and the WCSO. The season concludes with Beethoven’s fiery, joyful Symphony No. 7. 

ORDER TICKETS: 319-352-8691
Ticket Office Hours:
10 a.m.-noon

REGULAR TICKETS
Adults: $17 | K-12 Youth: $7
Children under 5: Free
Wartburg Student w/ ID: Free

Postponed/Cancelled Concerts
In the event that weather or other situations require a concert to be postponed or cancelled, tickets will be honored at other symphony events. To request a refund, please e-mail wcs@wartburg.edu.

SUPPORT THE SYMPHONY

Click on options below to see details.

JOIN THE SYMPHONY ASSOCIATION TODAY!

Your membership helps the symphony offer innovative programs, feature outstanding soloists, nurture student musicians, and enrich the cultural life of Waverly and the Cedar Valley. 

Association members at the Prodigy level and above will receive up to two complimentary adult season tickets (good for each of the four concerts). Memberships may qualify for tax-deductible gift credit (minus the cost of the tickets). Member names will be listed in the program. To be listed in the first program, your membership must be received by Sept. 30

All tickets are general admission to allow our audiences the most flexibility when choosing their seats. Row K premium seats on the main floor will be reserved for association members on a first-come, first-served basis. If you would like a membership form or have questions, email wcs@wartburg.edu, call 319-352-8642, 

Membership Levels

  • GOLD BATON $1,000-$5,000
  • MAESTRO $500-$999
  • VIRTUOSO $250-$499
  • PRODIGY $150-$249 

Business Sponsorship Levels & Benefits

  • $1,000 (full page ad and 6 season tickets)
  • $500 (1/2 page ad and 4 season tickets)
  • $250 (business card ad and 2 season tickets)

The passion that marks the Wartburg Community Symphony flows from its conductors. Those eight talented musicians have molded a music organization whose future is bright.

Birth
The Wartburg Community Symphony began, because a new Wartburg professor, 38-year-old Ernest Hagen, wanted a symphony to conduct. Passionately. After all, he had studied conducting in Berlin under the conductor of the Vienna Philharmonic Orchestra. He directed a 60-man army chorus and played in the army band, whose performances were recorded and broadcast. His Sumner (Iowa) High School vocal and instrumental groups earned first division ratings at state contests.

Hagen conducting Symphony

In the Fall of 1952, having completed a master’s degree at the University  of Iowa, Hagen joined the Wartburg College faculty and brought his young family to Waverly. Soon after he arrived, the “finest thing that has ever happened to Wartburg’s music department” was announced—accreditation by the National Association of Schools of Music. However, there was no orchestra. So Hagen began recruiting players. “He recruited tirelessly,” said Carla Larson, long-time symphony supporter and wife of tenor Dr. C. Robert Larson, who joined the faculty the same year as Hagen. “He fervently visited area towns and communities and got together quite a respectable group.

”The symphony appeared first as a chamber orchestra in the 1952 Christmas at Wartburg performance. Accepted into the American Symphony Orchestra League, the orchestra played its first concert in Knights Gym Sunday evening, May 24, 1953. Musicians—16 college students and 38 community members—wore “a glittering array of formals and tuxedos.” They came from Minnesota, North Dakota, Wisconsin, and 14 Iowa communities to play a program that included Bach, Grieg, and Schubert. The Waverly Chamber of Commerce presented a certificate of merit to the orchestra during intermission, and more than 500 people applauded enthusiastically.

Hagen moved on in 1959, becoming director of the Casper (Wyoming) Civic Symphony, organizing the Casper Youth Symphony and founding the Jackson Hole Fine Arts Festival (now the Grand Teton Music Festival) and several festival orchestras. Tragedy struck in 1973. Hagen lost his eyesight as he was composing an opera based on the novel “Giants in the Earth.” With the aid of special magnification devices, Hagen orchestrated the opera, which has been performed in concert version but awaits a fully-staged performance. Hagen died in 2000.

Development
Nine passionate conductors followed Hagen.

Dr. Robert E. Lee (1959-64) smiled when he recalled taking the podium for the first time. The program was ambitious, perhaps too ambitious, with a Beethoven concerto, a Shostakovich prelude, and a Bizet symphony. Lee didn’t know it was one of the first complete symphonies the orchestra had performed. During the second movement, he called out rehearsal letters to get everyone on the same page.“…I didn’t know the orchestral repertoire that well,” said Lee, whose background was band. “We made it through that first concert and continued to build the orchestra and play some nice things.”Before Lee left the podium, he arranged for Hagen to return to conduct a tenth anniversary concert of Grieg, Haydn, Mozart, and Vivaldi, on February 2, 1964.

Dr. Franklin Williams (1965-79, 82-84) faced conducting challenges with insight.“My first shock was that we barely had enough strings to make a quartet at rehearsal. But musicians would come from all over to play on Sunday, so we’d have a rehearsal before we played the concert. I always said it was coronary time for me.”His first concert featured Rossini; the second, Shostakovich in a strenuous, sometimes raucous piece.“I kinda’ went off the deep end. With small strings you can’t do the large romantic pieces because you can’t balance the winds and strings. I love Beethoven, Mozart, and Bach, but I wanted to do something different.”

Lathon Jernigan (1979-82, 85-87) drove from the University of Northern Iowa in Cedar Falls to conduct the orchestra. He led the musicians through challenging and rare pieces, including Bach’s “Concerto for Four Harpsichords.”“It was tricky finding four harpsichordists,” Jernigan said, “but we had two from Wartburg and two from the University of Northern Iowa. The community really seemed to appreciate those programs.”

John Bentley (1964-65) and Walter Temme (1984-85) each served one year as conductor.

Dr. Janice Wade (1987-2011) founded and conducted the Des Moines Community Orchestra and served as concertmaster of the Bijou Players, a silent-film touring group before arriving in Waverly. She created memorable Wartburg Community Symphony concerts using the silent film of “Phantom of the Opera” and films starring Charlie Chaplin and Rudolph Valentino. Another concert performed Holst’s “The Planets” to a 3D video of NASA planet photos. Using professional and semiprofessional musicians, Wade strengthened the quality of the Wartburg Community Symphony and arranged two cruise bookings.

Dr. Daniel Kaplunas (2011-2015) formed the Wartburg Chamber Orchestra as an avenue for students and community members to perform and grow, then become members of the Wartburg Community Symphony. He inspires students as musicians and composers. Audience numbers are increasing as Kaplunas draws local artists and music groups into concert programs. At his strong suggestion, the board established a Wartburg Community Association Endowment Fund to ensure the symphony’s future.

Dr. Jacob Tews (2015-2019) increased the exposure for the chamber orchestra with a new name, “Kammerstreicher” (German for chamber orchestra), and touring with the Castle Singers on tours domestically and abroad. The symphony endowment quadrupled in size during Tews’ tenure. His concert programs earned stellar reviews.

Governance
The Wartburg Community Symphony Association’s mission has always been to provide symphonic music to the greater Waverly community and professional experience for music students. Association membership is open to all dues-paying individuals. The association’s board of directors consists of college and community members. Although the conductor/music director is responsible for musicians and music goals, directors are involved in things such as budget, development, event management, fundraising, membership, and publicity. This governance structure distinguishes the Wartburg Community Symphony from the college’s other music organizations.

A SPECIAL PARTNERSHIP

Wartburg students have the opportunity to play alongside professional musicians to create truly magical musical moments.

PROFESSIONAL MENTORSHIPS. WORTH IT.